Xueni Yang

On Silence, Precision, and Working in Time A reflection on how my training practice informs my directing across film and performance. Performance is often organized around result. Emotion must be produced. Meaning must be communicated. Effect must be visible. This orientation shapes not only acting, but how scenes are written, directed, and edited. Yet, I became interested in what happens when that orientation is suspended.  What remains when action is no longer driven by out

When breath leads, the body reorganizes before meaning appears. An observation from a movement workshop at the NIPAI / IUGTE Conference 2025 on breath, structure, and what moves before interpretation.

Bridging Meyerhold’s Biomechanics and Qi Cheng Zhuan He (Kishōtenketsu) through Chinese Dance — A Reflection on Movement Training for Stage Actors

Author’s Note:  I didn’t expect listening to be the skill that would shape my work — as a filmmaker, teacher, actor, and sometimes even a...